Good actors are a dime a dozen, but I want actors that are gonna be part of my team and collaborative.
Bad Boys II has knocked everyone's socks off.
Twelve to 15 years of acting school, and I am being a bird.
When we were making The Fugitive, we all thought it was going to bomb.
When you work for Bruckheimer, you don't get it any better. He's the ultimate producer. I've had the good fortune of working with some great producers over the years.
When I interview somebody, I look at their resume to see what they've done, who they've worked with, and how many times. If they've gotten repeat work. Those are the kinds of actors I want to hire.
What the hell did I do in the 80's? Midnight Run. A perfect movie. Just a perfect movie.
That's another reason I did Daredevil: I didn't get killed off in it.
I wanted to play a good guy after doing this lunatic on The Sopranos for two years. And then they did the sequel to Bad Boys, where I get to play the barking captain again.
They've been talking about Pi, which I haven't seen, they've been comparing it to Usual Suspects, Sixth Sense, and Fight Club, and I didn't see that either.
They actually bought me for Daredevil 2, but they have to exercise the option.
The Moguls is a story about guys that have all grown up together and are now in their late 40s, early 50s.
The greatest leading man, in my opinion, will always be Cary Grant.
We should do another 10 Bad Boys movies. I could come in in one of those electric wheelchairs, like Peter Sellers in Dr Strangelove, just shouting away.
I've been saying in the press that being a NY Post investigator reporter is an oxymoron.