But now I really don't want to work unless I really, really care about a project.
I don't know why people think child actresses in particular are screwed up. I see kids everywhere who are totally bored. I've never been bored a day in my life.
So, yes, there's nothing I love more than listening to directors talk about their movies.
I don't know if I see myself as really an action hero, but I like doing physical movies and I like doing movies where the writing is very lean.
I think Anna and the King is a look at Asia from the Asian perspective, reflecting the Asian experience, which is very rare.
Well, I certainly was exposed to and learned to appreciate the work of great directors early on. As a kid, my mother used to take me to see really interesting arty films in Los Angeles.
The best reason to make a film is that you feel passionately about it.
Part of me longs to do a job where there's not a gray area.
My kids are young and my life with them is really stimulating and really full and significant.
Knowing what paint a painter uses or having an understanding of where he was in the history of where he came from doesn't hurt your appreciation of the painting.
I want to be inspiring to myself, to my kids, my family, and my friends.
I've always had this idea that I wanted movies to make people better not worse.
I'm kind of a chatterbox and I talk really fast.
I wish people could get over the hang-up of subtitles, although at the same time, you know, that's kind of why I'm kind of pro dubbing.
It's an interesting combination: Having a great fear of being alone, and having a desperate need for solitude and the solitary experience. That's always been a tug of war for me.