I gradually work myself into a frenzy as the shoot approaches, while we're choosing the costumes or working with the make-up artist. I'm not so much interested in my character as the film itself.
I don't think success is harmful, as so many people say. Rather, I believe it indispensable to talent, if for nothing else than to increase the talent.
I don't like the idea of separating life and work. That notion seems dated and a bit alien to me.
I don't like going where I've already been. Life is a myriad of territories to discover. I don't want to waste time with what I already know.
I don't feel guilt. Whatever I wish to do, I do.
I think more and more people want to live alone. You can be a couple without being in each other's pockets. I don't see why you have to share the same bathroom.
I can be intimidating, but not within the confines of a film shoot.
If you want to live your life through to the end, you have to live dangerously.
Death is an absolute mystery. We are all vulnerable to it, it's what makes life interesting and suspenseful.
Beyond the beauty, the sex, the titillation, the surface, there is a human being. And that has to emerge.
Being an actress is to be in tune with the fantasies of a man. What woman never dreamt of that?
As long as you don't make waves, ripples, life seems easy. But that's condemning yourself to impotence and death before you are dead.
As a matter of principle, I always come to a film like a blank slate, I don't learn my lines in advance. With this approach, I feel clean.
Although for some people cinema means something superficial and glamorous, it is something else. I think it is the mirror of the world.
All those vitamins aren't to keep death at bay, they're to keep deterioration at bay.