I had something called the back of the chair test. Where I sit, we don't sit like you and I do. I can see a sliver right behind them and they come out and they sit like this like god students and they don't touch the back of the chair.
If I were to ask you for example right now to go back with me and define those moments in your life that shaped you as a person and you began to reexamine them, something would happen.
And I thought if I don't pre-interview - first of all, we couldn't afford it - but the second thing was it would force me to do my own research, which takes two weeks.
I think that anybody's craft is fascinating. A taxi driver talking about taxi driving is going to be very, very interesting.
It can be summed up in one sentence. Does this person have something to teach my students? No one has ever let us down.
I was originally going to be a lawyer, and the only thing I remember from the art of cross-examination is - you can see this one coming up Sixth Avenue - never ask a question the answer to which you do not know.
I was dealing with craft, and that's the surprising thing, the number of people who have literally broken down on our stage, because when you're talking about the thing that is most important to someone, they're liable to feel something strong.
I wanted when we began this to have a conversation, the kind that you're able to have, and the only way I knew how to do it was not to have a pre-interview.
I thought we would have at most an audience of 5,000 devotees because I made the decision to stick to craft, not to gossip, not to be interested in any of the juicy stuff that they talk about on other shows, but stick to the question of craft.
Olivier was another case of a genius, who couldn't understand why anybody would have any trouble doing this, because for him it came so easily.