There are many talented people who haven't fulfilled their dreams because they over thought it, or they were too cautious, and were unwilling to make the leap of faith.
Pick up a camera. Shoot something. No matter how small, no matter how cheesy, no matter whether your friends and your sister star in it. Put your name on it as director. Now you're a director. Everything after that you're just negotiating your budget and your fee.
I lived in a small town. It was 2,000 people in Canada. A little river that went through it and we swam in the - you know, there was a lot of water around. Niagara Falls was about four or five miles away.
I love short trips to New York; to me it is the finest three-day town on earth.
I mean, you have to be able - you have to have made the commitment within yourself to do whatever it takes to get the job done and to try to inspire other people to do it, because obviously the first rule is you can't do it by yourself.
I was always fascinated by engineering. Maybe it was an attempt maybe to get my father's respect or interest, or maybe it was just a genetic love of technology, but I was always trying to build things.
I watched a couple of really bad directors work, and I saw how they completely botched it up and missed the visual opportunities of the scene when we had put things in front of them as opportunities. Set pieces, props and so on.
If you wait until the right time to have a child you'll die childless, and I think film making is very much the same thing. You just have to take the plunge and just start shooting something even if it's bad.
It took me a long time to realize that you have to have a bit of an interlanguage with actors. You have to give them something that they can act with.
I had read tons of science fiction. I was fascinated by other worlds, other environments. For me, it was fantasy, but it was not fantasy in the sense of pure escapism.
My mother was a housewife but she was also an artist. My father was an electrical engineer.
I had pictured myself as a filmmaker but I had never pictured myself as a director if that makes any sense at all.
So much of literary sci-fi is about creating worlds that are rich and detailed and make sense at a social level. We'll create a world for people and then later present a narrative in that world.
The film industry is about saying 'no' to people, and inherently you cannot take 'no' for an answer.
The magic doesn't come from within the director's mind, it comes from within the hearts of the actors.