I hope this series is good work, but it is in the half-hour medium, which is limited to a kind of mediocrity that sponsors are just dying to have right now, and the public, for some reason, is unconsciously demanding.
In those days, even as a boy, I watched some people that I knew were living way beyond their means.
I would also like to act, once in a while, but not get up every morning at 5:30 or six o'clock and pound into the studio and get home at 7:30 or eight o'clock at night, or act over and over and over every night on Broadway, either.
I remember Mr. Mayer very well. He sort of liked to be the father - no, he liked to be treated like you thought he was Daddy, but he didn't treat you like Daddy at all.
I never say too much about that in public interviews, because it disappoints the public to tell them you're not that crazy about a property you did that possibly they liked.
But the working I would always want to do.
But I want to do good work, after this series.
A lot of people like to run in plays because it's a nice, steady job.
Well, they just don't know anything else except that one form of their business, acting, and they don't really want to learn any other part of it, or they would. Directing and producing and putting a show together is very creative, for me.
People like Spencer Tracy held up because they had the background originally, but to this day they never have changed Mr. Gable's role, or most of them.
A nice, steady job I don't need that bad. I'm not that satisfied with it.
There was only so much television you could do.
They thought in terms of: whatever you had that started you at the box office, this was it.
So I felt, well, I'll make the money and, with the money, do what I want to do.
To me, the series was the end of the actor, when the series ended.