A city building, you experience when you walk; a suburban building, you experience when you drive.
A good engineer thinks in reverse and asks himself about the stylistic consequences of the components and systems he proposes.
America has always imported history.
Chinese buildings are like American buildings, with big footprints. People don't care about daylight or fresh air.
Critics are entitled to have an opinion, but how can they judge how comfortable a building is? No critic is smart enough to judge how a building will perform over time.
For me, though, the fun is over when I get the job.
It's my goal to make a building as immaterial as possible. Architecture is a very material thing. It takes a lot of resources, so why not eliminate what you don't need as long as you're able to achieve the same result?
I strive for an architecture from which nothing can be taken away.
Creativity has more to do with the elimination of the inessential than with inventing something new.
I think the younger generation, the people poised to dominate the workforce, are more socially conscious. They are more demanding in terms of environment and how that environment contributes to their life.
I wanted to improve the suburban office building; to create a great urban space in a suburban environment with all that implies about interaction, collaboration and creativity.
I've never looked at a suburban building as being a minor building and an urban building as being a major building.
In Europe, architects consider themselves artists. They think they're special when they win a competition.
In Europe, they're more demanding, the ones that rent the build ings.