All actors do that. Should do that and do that. For the most part. I say all actors. I'm exaggerating, but you know who does and who doesn't. Vince is a wonderful young actor who knows his work and did a beautiful job on this film.
Hardly any actor objects to press. It's a question of it being done in the way they like to see it done, meaning to get down to the serious interview what the profession is so we can reach out to the people to help them get along.
I grew up with a lot of guys, some of them are dead, some of them are this and some of them that, and some of them very, very powerful, bright young men, who became this instead of that simply because of a lack of guidance - that's all.
I've always found it not only easy, but enjoyable. It's necessary for us to reach out and I'm speaking for myself here. I certainly have a sense of responsibility to reach out to these people in the theatre who might look to someone like me for some guidance.
It's a very, very fascinating story for me, cause it's about a man who's been doing bad; bad things. And he's a father of four children in parochial school, he's a lieutenant of detectives, but he's in conflict with himself and with trying to do what's right.
She had said one time, make a choice and do it like Hercules. So if that is all of what is being offered, the idea is to always do it like Hercules and I always followed her advise and now I'm here talking to you.
So there's no such thing as one too many this, one too many that. I remember, you're reminding me of early in my career, somebody said to me: why are you taking so many roles as a policeman.
What fascinated me mostly about Mickey Cohen was that he, in his later years, hired someone to help him to comprehend literature, to help him to read better, to understand words better.
You're working on being a father, so that is something that when you experience it you'll understand the profundity of wanting to protect something dear to you.
