It's about not letting the internal enemy, the real enemy, have his way because the more he does the stronger he becomes. The film's about the devastating results that can manifest from the internal enemy being unbridled and allowed to unleash chaos.
I think there's a natural system in your own head about how much violence the scene warrants. It's not an intellectual process, it's an instinctive process.
I'm not politically motivated. I used to be - passionately. I used to be very Left wing. Then I went very Right wing, and now I rest somewhere in the middle.
If somebody has a better idea than me, I'll take it if it surpasses what we have on the page because at the end of the day, it's me that takes the credit anyway!
I am not involved in any 'issues' because it's too sensitive for me - or my wife - to get involved. Every time we express an opinion it becomes a whole thing in itself. And the whole purpose of living in the countryside was to get away from hundreds of people. My wife fell off a horse, and suddenly there are hundreds of people around.
All the other guys I think had a scream on Lock, Stock. They just had a laugh and a crack, and thought it would never come out; they were just having a good time. On this one, I felt that.
After Lock, Stock, all these really nasty small town characters came knocking at my door trying to tell me stories, and somehow I ended up with this guy whose brother was feeding people to pigs, and that's what he did to get rid of people.
It's not easy to strap yourself down to a desk and bash on a keyboard when you know you can direct lots of films, because directing films is fun and interactive and gregarious. Writing isn't.
