You know Manchester is always a bit of a hard place for people coming from London, just with all the history. Manchester has this immensely huge and healthy history musically.
It's mostly Mars Bars and peanuts and cheese and you go to the fridge and there's Red Bull and Beer. It's not like people are holding me down and pouring beer in my face.
I love the magic of the studio.
I'm not going to pretend that I am the best thing in their life and they have to be totally loyal.
I think now, more than anytime I can remember, bands are sounding pretty similar whether they're English or American, from Manchester or London... or Leeds or Welsh or Irish.
I think a lot of cynicism has dropped away from my shoulders since I stopped drinking.
There were some extremely good teachers there that were great artists really in their own right. It was actually very hard to concentrate on getting down to going any work being an art student especially when it's a flighty thing at best.
Being a singer now I have to get all fussy... I must have my ginger and lemon and all that.
I liked Germany; I'm not into Berlin, it's too huge and empty and imposing, but Munich was good.
I had a breakthrough, I think my life just became calmer, I gave up drinking. My priorities changed as I had a young daughter. The group didn't want me to record for the Think Tank album... so I took it as a sign to leave.
But those audiences in Spain, they were just so stoned. I don't like playing to audiences like that because they just don't do anything. I'm up here with my band and we're working really hard and they are just stoned.
I suppose my little Martin acoustic guitar is quickly becoming a prize possession. It's a lovely guitar. I bought it at the Cambridge Folk Festival in 2001 before I had cleaned up.