But, I would be naive not to recognize the number of musicians who tell me they have been influenced by me and sight me - as well as Alex and Neil - as a musician who has been a positive influence on their playing.
Then, once I have lyrics, being able to shape them around a song is nothing new for me, I've been doing that for 25 years. The soul searching part of it, the spontaneous part of it, that was, and remains, a really terrific process.
I feel safe and comfortable to do that once I know that the song structure around the bass part is very interesting and it satisfies me in a compositional sense.
I prefer to think of myself as a musician who is still learning and trying to do something every time out.
There was a time when fast playing and fretboard pyrotechnics on the bass were important to me and when I am recording a bass track, that is still very important to me.
That is what intrigues me; songwriting and song structure and expression.
Some writing and production projects will be a great way to spend my elderly rock years.
Sometimes it's nice to have a song that can be taken more then one way, so it can be interpreted differently.
So, I don't know what is going to happen when the CD comes out, how well it will sell, etc. But, from a personal point of view, it was a very worthwhile endeavor.
Music is all about wanting to be better at it.
It's hard for me to just practice without writing something.
If you have some magical chemistry that actually find the music you make compelling, that is a big bonus.
I would like to think that Ben and myself have begun a partnership that will take us into different areas of music that we can continue to write, enjoy and keep me involved with music other then what I do with RUSH.
I would like to shift more into writing for and producing people.
I was taking piano lessons with a very good piano instructor in Toronto, and I'm afraid due to my schedule and discipline, it kind of fell apart. One thing lead to another and I was unable to practice as much as I wanted to.