Very similar experience happened last year when we released this album, North. It was on Deutsche Grammophon, it was very, very honest. It was the most honest record I've ever written.
You need a platform upon which to release an orchestral record, otherwise it's just going to be an obscurity.
Women hear rhythm differently than men.
These are the sort of things that push you on in music - the curiosity, a passion for new ideas.
There's no such thing as an original sin.
There are many critics who have an idealised version of where my strengths lie.
Sometimes I write notes that I have difficulty singing.
Really the only thing holding a lot of records together is the personality of the singer, and the will to write all of these different things.
Obviously the people that I admired, like the Beatles, were really into rock'n'roll, but it was already a little past rock'n'roll when I started listening and making my own choices about music.
Obviously I got known for some other songs early on, and some of those were rock'n'roll songs. Some of them were melodic pop songs. And I've done lots of different things, as you know, but every so often I get drawn back.
You have to face the fact that I have no reputation as a composer; I have my reputation as a songwriter and a performer-and that opportunity came this summer, when I was invited to perform at the Lincoln Centre festival in New York... three nights.