Shakespeare has no answers for us at all.
It's politely assumed that democracy is a means of containing and restraining violence. But violence comes not from genes but from ideas.
Religion enabled society to organise itself to debate goodness, just as Greek drama had once done.
In the past goodness was always a collective experience. Then goodness became privatised.
In the end I think theatre has only one subject: justice.
I'm not interested in an imaginary world.
I'm interested in the real world.
The English sent all their bores abroad, and acquired the Empire as a punishment.
Whatever the economy needs to maintain itself, the government will do it.
If you engage people on a vital, important level, they will respond.
The Greeks said very, very extreme things in their tragedies.
The human mind is a dramatic structure in itself and our society is absolutely saturated with drama.
The one overall structure in my plays is language.
The theatre, our theatre, comes from the Greeks.
The truth has got to appear plausible on the stage.