It was very much about performances, the whole ensemble thing was just great - everybody working together. Sometimes it didn't feel like a film set. It wasn't technically driven, it was very, very enjoyable.
At the moment I'm doing this space movie, so I'm obsessed with physics and space travel. I know three months down the line it's gone. Then I'll be able to superficially say stuff about space.
There's a lot of comedy in Intermission but it's got this depth. It's not comedy for comedy's sake - it's informed by something else. I like stuff like that.
I enjoy all aspects of it, I don't have a preference for any medium. I think each of them has its attractions and I would hope they each inform the other in some way.
Then I wanted the character to be feminine as opposed to effeminate. Because it's easy to be camp or queen. Anyone can do that. What's difficult is to play feminine.
It's obvious that if you're going to play a character you need to amass information about that person and about their environment or their era that they're in and use as little or as much as necessary.
