You see, we are not machines and we do not have lots of ideas in a drawer.
The decision to use only the name Christo was made deliberately when we were young because it is difficult for one artist to get established and we wanted to put all the chances on our side.
That could stay, not forever, because we believe that nothing exists that is forever, not even the dinosaurs, but if well maintained, it could remain for four to five thousand years. And that is definitely not forever.
People think our work is monumental because it's art, but human beings do much bigger things: they build giant airports, highways for thousands of miles, much, much bigger than what we create.
Our work is a scream of freedom.
Now, to describe the process of the Wrapped Reichstag, which went from 1971 to '95, there is an entire book about that, because each one of our projects has its own book. The book is not an art book, meaning it's not written by an art historian.
New York is our home.
It appears to be monumental only because it's art.
If some of our works are symphonies, then wrapped walkways was chamber music.
Germany is an economic giant but a political midget, and with the end of the Cold War she has started to muscle her presence throughout Europe and the world.
We wish to work in total freedom.