For the world to be interesting, you have to be manipulating it all the time.
I'm very good with technology, I always have been, and with machines in general. They seem not threatening like other people find them, but a source of fun and amusement.
Every collaboration helps you grow. With Bowie, it's different every time. I know how to create settings, unusual aural environments. That inspires him. He's very quick.
At the beginning of the 20th century, the ambition of the great painters was to make paintings that were like music, which was then considered as the noblest art.
Agressive music can only shock you once. Afterwards its impact declines. It's inevitable.
I always use the same guitar; I got this guitar years and years ago for nine pounds. It's still got the same strings on it.
Avant-garde music is sort of research music. You're glad someone's done it but you don't necessarily want to listen to it.
The philosophical idea that there are no more distances, that we are all just one world, that we are all brothers, is such a drag! I like differences.
For me it's always contingent on getting a sound-the sound always suggests what kind of melody it should be. So it's always sound first and then the line afterwards.
I've discovered this new electronic technique that creates new speech out of stuff that's already there.
When I went back to England after a year away, the country seemed stuck, dozing in a fairy tale, stifled by the weight of tradition.
When I started making my own records, I had this idea of drowning out the singer and putting the rest in the foreground. It was the background that interested me.
The reason I don't tour is that I don't know how to front a band. What would I do? I can't really play anything well enough to deal with that situation.
The lyrics are constructed as empirically as the music. I don't set out to say anything very important.
The basis of computer work is predicated on the idea that only the brain makes decisions and only the index finger does the work.