I think that it can be said of a lot of artists, and myself included, that we made the same record over and over from the beginning.
I really just followed my musical instincts every step of my life.
I love working with the quartet. I have more freedom and flexibility.
I love all kinds of music.
I listened to classical guitar and Spanish guitar, as well as jazz guitar players, rock and roll and blues. All of it. I did the same thing with my voice.
I felt that, in retrospect, there was a time in the late Seventies, after I had a string of hits and successes, as a performer and a recording artist, that I wasn't saying anything.
I am not a jazz singer. I wouldn't place myself on that footing. I wouldn't even enter that arena.
From the time I moved to San Francisco in 1967 to play with the Steve Miller Band, there was a lot of support in the music community for one cause or another, but this one was special because it was put on by people who understood where musicians' hearts are.
As far as other instrumentalists, I used to love mellow sax players like Paul Desmond. I love piano.
As a guitar player, you can gravitate to the blues because you can play it easily. It's not a style that's difficult to pick up. It's purely emotive and dead easy to get a start with.
I think the women - Lauryn Hill, Mary J. Blige, Erykah Badu - are doing new conceptual things and using their voices to create new American music.
There's a whole lot of songs that men just can't do. The words are from another time and represent too much of an emotional commitment, whereas women can say that because of who they are.
Quite frankly, I've always listened to the black side of the radio dial. Where I grew up, there was a lot of it and there was a lot of live music around.
This is a cause that musicians can take to heart because one of our main reasons for being is to share our music with other people, and this takes us to people who probably wouldn't otherwise get to hear music on quite this level.
I was a guitar player first off.