I'm just trying to keep things simple, and just be a little more offhand and not get so deep into things. Enjoy what you got right now, because who knows what's going to happen tomorrow.
I had the opportunity to be around my kids a lot. I guess I could have kept working, but I had them when I was 47. You only get to see all this stuff once. I just chose to work at home and watch them.
I write a lot of songs people don't hear. I really just enjoy the process. I finish 'em all. I don't think there's a whole lot of difference between the bad ones and the good ones.
You can't get a good crew and a good sound system, and a good light system if you do a small tour. If you want the best, those guys want a commitment of about 4 to 6 months. And I'd want the best people and the best stuff.
You go to LA, or you go to New York, and it's really fun to go there. But they're not grounded. Everybody is just competing all the time for the limelight. It's too much entertainment industry. There are too many choices. And it's distracting to me.
We've got to practice three weeks, get the kinks out, then we've got to practice three weeks with the crew, and then go out for four months. It's just a huge chunk of time out of life.
The two hours onstage is great. But I can only play a show and then take a night off. I have to sing for two hours, and then I've gotta rest it for a night. So it's the other 46 hours that are just boring as heck.
My management tells me, Don't be optimistic, because it's the young people's world now. They want to hear what they want to hear, and you're a classic rocker. I don't know if you're gonna get the play.
