Hopefully, as I get older in the business, I make my choices more accurately, and I perhaps know from either the script or the first meeting that it isn't going to work.
Well, it's wonderful to be identified strongly with my work.
Filming is so much to do with rhythm, as is music, and if it isn't there then you know in the end nobody can save it really, they can't.
Fifteen years before I became a screen actor, I was in the theatre. A lot of my work was comedy, which I loved doing. It's harder.
But comedy I'd love to do as much as humanly possible.
As an actor there's no autonomy, unless you're prepared to risk the possibility of starving.
As a singer, I might have fallen among thieves. I wonder if I'd still be alive by now.
All the great writers root their characters in true human behaviour.
I have a rather naive approach, I think, to my job.
There is so much to do on a film set. It is an extraordinarily invigorating and wonderful place to be, when things are running well.
Hamlet is an astonishing intelligence.
I was fortunate as a young actor, to go straight to the RSC, where I learned that being an actor can bring with it wonderful responsibilities.
When you drop your guard in films, the acting process compensates. You get lazy and you start acting.
When I choose a role it's either because I recognise the man, or that I'm very curious to know him. If I neither recognise nor know him, then it is better that I don't play him.
There's so much crap talked about acting.