I have come to believe over and over again that what is most important to me must be spoken, made verbal and shared, even at the risk of having it bruised or misunderstood.
In our work and in our living, we must recognize that difference is a reason for celebration and growth, rather than a reason for destruction.
Each time you love, love as deeply as if it were forever.
Black writers, of whatever quality, who step outside the pale of what black writers are supposed to write about, or who black writers are supposed to be, are condemned to silences in black literary circles that are as total and as destructive as any imposed by racism.
But the question is a matter of the survival and the teaching. That's what our work comes down to. No matter where we key into it, it's the same work, just different pieces of ourselves doing it.
There's always someone asking you to underline one piece of yourself - whether it's Black, woman, mother, dyke, teacher, etc. - because that's the piece that they need to key in to. They want to dismiss everything else.
Black women sharing close ties with each other, politically or emotionally, are not the enemies of Black men.
I am deliberate and afraid of nothing.
Art is not living. It is the use of living.
I can't really define it in sexual terms alone although our sexuality is so energizing why not enjoy it too?
The learning process is something you can incite, literally incite, like a riot.
Black women are programmed to define ourselves within this male attention and to compete with each other for it rather than to recognize and move upon our common interests.
There are no new ideas. There are only new ways of making them felt.
There are lesbians, God knows... if you came up through lesbian circles in the forties and fifties in New York... who were not feminist and would not call themselves feminists.
The sixties were characterized by a heady belief in instantaneous solutions.