A very subtle difference can make the picture or not.

Computer photography won't be photography as we know it. I think photography will always be chemical.

I feel very proud of the work from the '80s because it is very bright and colorful.

A thing that you see in my pictures is that I was not afraid to fall in love with these people.

At my Rolling Stones' tour, the camera was a protection. I used it in a Zen way.

Coming tight was boring to me, just the face... it didn't have enough information.

When I started working for Rolling Stone, I became very interested in journalism and thought maybe that's what I was doing, but it wasn't.

No one ever thought Clint Eastwood was funny, but he was.

Sometimes I enjoy just photographing the surface because I think it can be as revealing as going to the heart of the matter.

The camera makes you forget you're there. It's not like you are hiding but you forget, you are just looking so much.

The work which is manipulated looks a little boring to me. I think life is pretty strange anyway. It is wooo, wooo, wooo!

There must be a reason why photographers are not very good at verbal communication. I think we get lazy.

What I am interested in now is the landscape. Pictures without people. I wouldn't be surprised if eventually there are no people in my pictures. It is so emotional.

What I end up shooting is the situation. I shoot the composition and my subject is going to help the composition or not.

Nature is so powerful, so strong. Capturing its essence is not easy - your work becomes a dance with light and the weather. It takes you to a place within yourself.