So what this is is us, our personalities refined down on to a stage performance. In other words, the way we play is the end product of the way we live - we live in the cities, you see.
You just let your lower self go, and then it takes on all these aspects of the society - the city with horns blowing, the people yelling things at each other, and the all-in-all violence and chaos of the city. Put that on stage with music, and that's what this is.
When we get together and rehearse, which is always living with each other, we always talk about what would make it better, what would mean more, what would say more. So we're always improving and growing.
We started combining the use of light and the use of theatrics and the use of as many art forms as possible, and it's still growing - that's the whole idea of it.
We can only take it so far, because man can only take it so far, lower self can only take it so far, and you have to realize that the public is only at a certain place.
They're reacting and that's wonderful. It's better than them sitting there doing nothing. I say make them react - do whatever's in your power to move the audience, and if that's where it is, and there where it is with America, sex and violence, then I say project it.
They pick all of us out, and then they decide, they computerize, decide if they like it or don't like it, and then they go home, and then they come back again because they're not sure what they saw.
