It's important, I think, for a writer of fiction to maintain an awareness of the pace and shape of the book as he's writing it. That is, he should be making an object, not chattering.
Action is greater than writing. A good man is a nobler object of contemplation than a great author. There are but two things worth living for: to do what is worthy of being written; and to write what is worthy of being read.
Foreman told Ray to plead guilty and he'd then give his brother $500, if Ray didn't cause any problems at the guilty plea hearing, and he could take that $500 and hire a lawyer to set aside the plea. Foreman actually put that in writing.
One would think that in writing about literary men and matters there would be no difficulty in finding a title for one's essay, or that any embarrassment which might arise would be from excess of material. I find this, however, far from being the case.
I did know that the book would end with a mind-boggling trial, but I didn't know exactly how it would turn out. I like a little suspense when I am writing, too.
Well, I always say that the two things I was most disastrous at in my life, being a teenager and being a wife, were the two things I really wound up cashing in on when I was writing fluffy magazine pieces.
