I wrote the song For A Dancer for a friend of mine who died in a fire. He was in the sauna in a house that burned down, so he had no idea anything was going on. It was very sad.
I will have a song that I'm in love with for a couple of months and then I'll go to something else. That's just constantly changing. And sometimes I will go back to old one that I haven't heard for a long time.
Certain songs by hearing the rhythm, it tells you that is either a love song or you might be heartbroken or the songs give you the vibes and you just know that certain songs are militant that you have to write.
You always will be singing a song or humming a line or a melody.
With the song 'This Christmas' I wanted to do something that was kind of different. I mean, Donny Hathaway is an amazing artist. So I wanted to bring my flavor to the song so when people over the age of 45 or 50 hear it they'll be like 'OK, he did his thing with that record.' It's like I can appeal to everybody and not just a younger demographic.
I'm 18 in this album. I'm not losing fans, and I'm not disrepecting women, but you reach the maturity of taking it to the next level with a girl. It was only necessary for me to have at least one song like that.
Everything is Song. Everything is Silence. Since it all turns out to be illusion, perfectly being what it is, having nothing to do with good or bad, you are free to die laughing.
The earth has grown old with its burden of care, but at Christmas it always is young, the heart of the jewel burns lustrous and fair, and its soul full of music breaks the air, when the song of angels is sung.
But, in the end, even a song that's as politically bland as Blowin in the Wind, you probably wouldn't get up and sing that now, whereas some of Bob Dylan's love songs that were contemporary with that, like say Girl from the North Country, you can still get up an play now.
What turns me on about the digital age, what excited me personally, is that you have closed the gap between dreaming and doing. You see, it used to be that if you wanted to make a record of a song, you needed a studio and a producer. Now, you need a laptop.
One song will launch you, but you don't want to be a one-song artist.
When you have great songs that are going to live longer than the composers, everything you can do to bring those different elements and nuances out, serve the song.
Whoever best serves the song is going to be served by the song.
The whole industry evolves around a great song.
Considering the amount of information we're bombarded by, it's amazing if a song can transcend time.