The pressure people put on themselves and the rivalry between the teams is much more marked. And I think that's a good thing. As long as that rivalry remains within the spirit of competition, it con only spur everyone on.
And remember: without you, all we are is loud. No pressure.
I mean, I'm a conservative. I believe that, you know, if you borrow too much, you just build up debts for your children to pay off. You put pressure on interest rates. You put at risk your economy. That's the case in Britain. We're not a reserve currency, so we need to get on and deal with this issue.
We're competing with everything: the beach, the mall, bookstores. Libraries are in a transition right now, caught between two forces, the old ways and technology. Libraries are under a lot of pressure to provide both.
When I was coming up, I just wanted to play baseball and I'm doing what I love to do most. How can I feel pressure doing what I love to do?
Under the pressure of the cares and sorrows of our mortal condition, men have at all times, and in all countries, called in some physical aid to their moral consolations - wine, beer, opium, brandy, or tobacco.
Everyting negative - pressure, challenges - is all an opportunity for me to rise.
Doing shows is always a side of skating that I've loved, it's the performing. I get to do that without the pressure, it's always fun between the skaters and the preparation, the show is always so much fun.
Music itself is a great source of relaxation. Parts of it anyway. Working in the studio, that's not relaxing, but playing an instrument that I don't know how to play is unbelievably relaxing, because I don't have any pressure on me.
We had to do a lot of rehearsals to get it so that it was playable. What it did was make you practice. That's good for any musician to have that kind of pressure. It brings things out of you that might not come out if you don't have to reach for something all the time.
A great deal of pressure was then built up to remove me from the club and my resignation was, finally, a forced one.
I was always crazy about New York, dependent on it, scared of it - well, it is dangerous - but beyond that there was the pressure of being young and of not yet having done work you really liked, trademark work, breakthrough work.
We worked under a lot of pressure... three days to do an episode, sometimes two in a week, 39 episodes a year.
The Nixon administration really put a lot of pressure on CBS not to run the second broadcast.
It's always an enormous pressure when you do a sequel. The demands are so high, and it's expensive.