Writing music on your own makes you think a lot about your life. Who are you? Would you change anything about yourself? This is where it comes from.
With my music, I can express myself so much. A lot of the fans can sense that I'm relating to them something that's quite personal.
When making music I sink myself into the process as deeply as I can and forget all of the success.
The music sold itself before anybody knew who I was.
Over in the UK, the music press can be brutal. They can say wonderful things about you one week, and the next week, you're in the can.
I supply the music for Vampires, which is a new series that's coming out.
I hate the rock music tradition. I can't bear it!
At the beginning of the 20th century, the ambition of the great painters was to make paintings that were like music, which was then considered as the noblest art.
Agressive music can only shock you once. Afterwards its impact declines. It's inevitable.
Avant-garde music is sort of research music. You're glad someone's done it but you don't necessarily want to listen to it.
The lyrics are constructed as empirically as the music. I don't set out to say anything very important.
We are increasingly likely to find ourselves in places with background music. No composers have thought to write for these modern spaces, which represent 30% of our musical experience.
Music in itself carries a whole set of messages which are very, very rich and complex, and the words either serve to exclude certain ones or point up certain others.
Musicians are there in front of you, and the spectators sense their tension, which is not the case when you're listening to a record. Your attention is more relaxed. The emotional aspect is more important in live music.
Out there in the spotlight you're a million miles away and every ounce of energy you try to give away as the sweat pours out your body like the music that you play.