The title always comes last. What I really work hard on is the beginning. Where do you begin? In what tone do you begin? I almost have to have a scene in my mind.
The mind is like a richly woven tapestry in which the colors are distilled from the experiences of the senses, and the design drawn from the convolutions of the intellect.
I was watching the show last year and it didn't even cross my mind that this could even happen.
The shows are either 11 or 22 minutes and they move pretty quickly, and that's part of the charm of them - so it was just trying to keep that in mind and keep the energy of the story moving, even though we were dealing with a longer format.
I don't take me seriously. If we get some giggles, I don't mind.
The idea that we cause harm by doing what we perceive to be the right thing, that's another theme that interests me. Because most people don't intend to cause harm, they cause harm by doing the right thing - in their mind.
Because we build the worlds we wouldn't mind living in. They contain scary things, problems, but also a sense of rightness that makes them alive and makes us want to live there.
I remember that it was never that difficult for me to get a director to look up and pay attention to me. Mind you, I don't know if that's necessarily charm. But I've played roles where my character has to be charming and I've found it quite easy to do. I think some of it is in my bones, but some of it is more deliberate.
I've done enough for a while and people get fed up of seeing you, but apart from that, although I'm young, I need a bit of rest. You could say I have become a house husband. It's not a new man thing, it's just largely a boring man who doesn't mind staying in the house thing.
I've sort of heard that "it" girl thing, but not really. Hearing it from a few people doesn't solidify it in my mind and I wouldn't know how to solidify that title. It's so elusive and what does it mean, I don't know?
I wish in my own mind I were more definite - that I was absolutely convinced I'd never direct someone else's script, but I keep reading scripts, because I might find something.
It must be borne in mind that the tragedy of life does not lie in not reaching your goal. The tragedy of life lies in having no goal to reach.
A fact must be assimilated with, or discriminated fromm, some other fact or facts, in order to be raised to the dignity of a truth, and made to convey the least knowledge to the mind.
People want to see musicians sing things that come from their own mind and own heart in real time, responding to the moment for them.
To me, they are equally important, as they represent a certain period in my life and times. With that in mind, it really is impossible to pick favorites.