So uncritically do we accept the idea of property in culture that we don't even question when the control of that property removes our ability, as a people, to develop our culture democratically.
Well, I think again, the worst part of it was just leading up to it, before we got on set, at least for me... dreading this idea that I was just going to suck and I really had strong feelings about that. I just didn't want to be that weak link.
When I need the idea, I can find it immediately. I have a horror of rewriting or deleting; the parts of my composition are carried in my head 'till I can write them down, even to the last note. Then I do not alter a jot.
I find the idea of vigilante justice very attractive. I like the idea that the murderer decides that this person has gone too far, and nothing will happen to him unless she does something to stop him.
I hold that the mark of a genuine idea is that its possibility can be proved, either a priori by conceiving its cause or reason, or a posteriori when experience teaches us that it is in fact in nature.
The most important thing that was new was the idea of URI-or URL, that any piece of information anywhere should have an identifier, which will allow you to get hold of it.
When I usually go to my studio to work, I start with something that is going to take two minutes just to put some idea down and the next thing I know, ten hours have gone by and my family is screaming at me because they want me to come up to have dinner with them.
There are people hell-bent on the idea that we're a Christian band in disguise, and that we have some secret message. We have no spiritual affiliation with this music. It's simply about life experience.
