I truly believe that all power corrupts. Such is probably the thinking behind every political film ever made in Hollywood.
I'm going to make a film where not one word is really important. I'm going to make it all action.
Similarly, the Marquis is presented in this film as someone who would disturb the status quo and therefore must be kept imprisoned.
Nowadays they either want to move the film to Canada or in some cases they go to Prague or Romania or they want to keep 'em down in L.A.
It just seemed to me to be a great story, set back in its time but something that seemed to have relevance for our time. Now that the film is coming out, it looks like we're back in another time where repression of expression is all the rage.
Is there something to be said for the writings of the Marquis? Is there something to be said for pornography? And is there something to be said against both? I hope our film is balanced and rich enough to encourage debate and discussion.
This one, even though it called for San Francisco, I think they wanted to initially shoot part of the film up here, you know get the exteriors and then go back to L.A. We really fought to get it up here and I think Paramount was really pleased.
It's good that they've seen it, but how can I be satisfied after working for two years making a film which I hope will make a difference, when the government sees the film and does nothing about it?
Well, a special screening was set up for government officials, so they didn't have to see the experience of going to see the film. They certainly aren't going to the projects to see for themselves the situation.
HATE, even if it's making money. is an underground movie, that's how it was made. It's a film about police brutality in the largest sense, it's about the whole of society and not just about the hood.
In France they spend six months training policemen, then they give them a gun and put them on the streets, and I don't know that that's enough. The film's not against the police - although I think that if someone wants to be a cop there's got to be a problem.
That was certainly true the first time, when I did Body Heat, the first movie that I directed. I was looking for a vessel to tell a certain kind of story, and I was a huge fan of Film Noir, and what I liked about it was that it was so extreme in style.
Everyone starts a film thinking that it would be a big hit. But sometimes it goes haywire.
And my first film was Carnal Knowledge, another amazing experience, largely because of Mike Nichols, who would tell me you can't do anything wrong because you're doing everything right.
I've had three novels published, and I was working a little bit in theater in Ireland. I wrote one film script just to see what it would turn out like.