The deal is that you can do it, you don't really owe me anything, but at the end of it, I own the film. Then I can actually go out and reprint or not reprint if it I want.
I don't think you can ever completely transform yourself on film, but if you do your job well, you can make people believe that you're the character you're trying to be.
I'm just ah, actually developing a tv show for HBO, and I'm directing a film this summer, and actually I'm doing some live shows out in western Canada.
I'm hoping that word-of-mouth on the film - people seeing it and liking it - that that will drive more people to the theaters, because I haven't seen the billboards or the posters or anything.
In starting to learn about film festivals and what were good ones - 'cause there are five billion of them - it was just a really good East Coast festival. And I thought this little movie was an East Coast film.
I really liked 'Starter For Ten' because I grew up watching 1980s teen films like 'St. Elmo's Fire' and 'The Breakfast Club' and I've always wanted to play the underdog lead hero in a 1980s-inspired film.
I think my recognizability ebbs and flows. I don't lead a particularly celebrity lifestyle or anything like that. I don't go to showbiz parties or red-carpet events, so it all depends on whether I've got a film out. I've not been very visible in the last year or so and as a result hardly anyone stops me in the street.
It's a very good thing for students also to be exposed to people who aren't film students or film scholars but who work in the world of film.
The film itself involves a New York City radio storyteller, Gabriel Noone, who strikes up a friendship with one of his fans, an abused 14-year-old teenager who is suffering from AIDS, who does not have much longer to live.
Doing a piece on film is completely different from doing it onstage.
As a measure of acting skills, film can be very deceptive.
The big difference with Juliette and the others in that film is that she goes beyond acting.
I've always been very left of center and the radio never had much diversity and film did.
Because when the film was first mooted, the Beatles didn't like the idea at all. In fact they wouldn't have any part in it. And when Brian had committed them, it was part of a deal he did with United Artists, I think.
Well, again working strictly to the film, where you had this lovely, lovely land of brightness and color. And everybody is smiling and happy and butterflies flitting around and it was that kind of image that, it was like a dream world, really.