There's no end to the inventiveness of critics, I tell you. Because they can't write fiction, they put their impulse into their analysis of work.
A non-fiction writer pretty much has the shape of the figure in front of him or her and goes about refining it. A work of non-fiction is not as difficult to write as a work of fiction, but it's not as satisfying in the end.
To the extent that I come from a deeply religious tradition and have been contending with those beginnings all of my life - that constitutes the subject of much of my early fiction.
I shall try to tell the truth, but the result will be fiction.
In terms of stories I would buy for a science fiction magazine, if they take place in the future, that might do it.
If you don't care about science enough to be interested in it on its own, you shouldn't try to write hard science fiction. You can write like Ray Bradbury and Harlan Ellison as much as you want.
I'm pretty catholic about what constitutes science fiction.
A lot of the cosmologists and astrophysicists clearly had been reading science fiction.
It's clear that science and science fiction have overlapping populations.
My old English buddy, John Rackham, wrote and told me what made science fiction different from all other kinds of literature - science fiction is written according to the science fiction method.
Stephen Hawking said he spent most of his first couple of years at Cambridge reading science fiction (and I believe that, because his grades weren't all that great).
People ask me how I do research for my science fiction. The answer is, I never do any research.
The science fiction method is dissection and reconstruction.
I had been writing fiction since I was in eighth grade, because I loved it.
It's important, I think, for a writer of fiction to maintain an awareness of the pace and shape of the book as he's writing it. That is, he should be making an object, not chattering.