It's hard for me to show work while I'm writing, because other people's comments will influence what happens.
In order for a long piece of work to engage a novelist over an extended period of time, it has to deal with questions that you find very important, that you're trying to work out.
I'm not sure whay I've been drawn to this subject, except that murder is a subject that has always drawn people for as long as people have been telling stories.
I just finished writing an essay about William Maxwell, an American writer whose work I admire very much.
I think it's hard to write about children and to have an idea of innocence.
I think innocence is something that adults project upon children that's not really there.
I really do work in solitude.
Actually, I enjoy the process of writing a big long novel.
I believe, in a funny way, the job of the novelist is to be out there on the fringes and speaking for an experience that has not really been spoken for.
Children love secret club houses. They love secrecy even when there's no need for secrecy.
Everything takes me longer than I expect. It's the sad truth about life.
I love the tradition of Dickens, where even the most minor walk-on characters are twitching and particular and alive.
Character, to me, is the life's blood of fiction.
Children - if you think back really what it was like to be a child and what it was like to know other children - children lie all the time.
But romantic vision can also lead one away from certain very hard, ugly truths about life that are important to know.